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The fact that hip hop let you just not mince words and be really direct and cram so much more content and originality into your lyrics than singing was the biggest. So with the concept of purchasing an album (be it CD or vinyl) . Flirty American pop beanpole Ke$ha waited until almost the end of the year to drop . Two Australian hip-hop acts had huge years: Melbourne rapper and. Australian rapper is known for speaking his mind on social media. And in a bizarre . Rapper raps abusive lyrics about Hillary Clinton.

No-one saw me on the days I was really sick. I was 18 when I was diagnosed and I had a number one album and single in the country. And in the UK, I was number two. It was such a bipolar year. The film performed poorly at the box office and was not a critical success, with some critics citing Goodrem's performance as too robotic and detached.

She appeared in the last two episodes of the short-lived American series North Shore in a bid to gain greater exposure. Plans to release a hybrid of her first two albums were later terminated and Goodrem put America on hold. Once the tour concluded, over 80, tickets had been bought in total making The Visualise Tour one of Australia's highest-selling local tours.

Live in Concert was released in November and became Goodrem's second No. On 15 MarchGoodrem performed a new song, " Together We Are One ", at the Commonwealth Games opening ceremony in front of 80, spectators and up to 1. In JuneGoodrem signed to Modest! Entertainment for her worldwide management. The album peaked at number eight on the Japanese international chart excluding Japanese artists and number nineteen on the official Japanese album chart including Japanese artists. Goodrem described the material as " On this album, I've tried to remove a lot of that and just write great pop songs, songs that are from my heart but there's no baggage with them".

In December the album was certified 2x platinum. The video premiered on 31 August on Sunrise. It debuted at number one on the Australian Singles Chartbecoming Goodrem's eighth number one single in Australia. It was certified platinum. The fourth single to be lifted from the album was " I Can't Break It to My Heart ", which debuted and peaked at number thirteen. InGoodrem focused on promoting music in Japan and the United States. She followed that up by releasing "Delta" on 20 February.

The album peaked at number eight on the Japanese international chart and number 39 on the overall chart.

The album sold almost 5, copies in its first week, 1, copies more than her previous album in Japan and overall sold over 30, copies in Japan. On 17 JuneGoodrem appeared for the second time on any Billboard chart with the single, debuting at number 40 on the Hot Adult Top 40 Tracks chart.

The song later peaked at No. Overall the album sold over 21, copies in the United States. The tour ran from 9 January to 4 February A concert DVD of the tour was released on 18 September Goodrem returned for season two inagain with Madden and Seal, with Ricky Martin replacing Urban. Goodrem's finalist for season two was Celia Pavey who also finished third. On that day, it was then announced that Goodrem would be releasing her new single, " Sitting on Top of the World ".

It also peaked number twenty three in New Zealand and was certified Gold. The album's second single, " Dancing with a Broken Heart " was released on 10 August Goodrem's fourth studio album, Child of the Universe was released on 26 Octoberwhich debuted at number two on the ARIA Charts and spent ten weeks in the top It was certified Gold in its second with for sales of 35, copies. Along with the release of the album, Goodrem embarked on her " An Evening with Delta: The Top of My World Shows " which supported the album release with a series of stripped back shows, starting in Brisbane on 27 October then two Sydney shows on 31 October and 2 November and finishing with Melbourne on 7 and 8 November Rachael Leahcar was the tour's opening act.

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It was released on 14 December in Australia and New Zealand. This was a late night performance, in Mardigrasland, which was well received by critics. Similarly, forgotten s electro-rockers Garbage were unable to muster much audience enthusiasm for what was admittedly a pretty good new album, their first since The new album Oceania was a little bloated, though. Canadian electro star Claire Boucher, otherwise known as Grimes, had a breakout year.

Many US publications are already hailing Oblivion as the single of the year. Others to do well in indie-land: Many accused Mumford and Sons, who sold a staggeringcopies of their second album Babel in its first week of release in the US a couple of months ago, of making the same album twice.

Yet, the truth is Babel is a big step forward. The album highlight, Hopeless Wanderer, is their best song yet. They are now comfortably one of the most successful pop acts in the world. Californian indie pop seductress Bethany Cosentino, who leads the band Best Coast, also took some strides forward this year. The most boring backlash of the year belonged to the dramatic, highly stylised American singer Lana Del Rey.

After a weak appearance on Saturday Night Live back in January, the amount of articles ruminating on her and her music was just tedious. More intriguing was the success in Australia of the teenage British singer Birdy. She released an album that featured mostly acoustic covers of indie-pop songs from acts such as Fleet Foxes and Bon Iver and found herself atop of the ARIA charts.

Melbourne trio Something For Kate reunited and swiftly justified their decision with a superb new album, Leave Your Soul To Science and an outstanding tour that reflected both the potency of their union and just how much they have been missed. Label mates Oh Mercy, led by Collingwood's Alexander Gow, delivered something of a reinvention this year. Their excellent, groove-laden third album Deep Heat was an instant classic and contained two of the year's best singles: Drums and the superb My Man, which was also covered later in the year by Sarah Blasko.

Ms Blasko, for her part, released another strong album called I Awake. Also demonstrating significant progress this year: Melbourne six-piece Alpine and eccentric singer-songwriter Bertie Blackman, whose under-appreciated album Pope Innocent X was a corker. Veteran Australian rockers Grinspoon also returned with their best album in some time, Black Rabbits. There were some terrific singles provided by some acts you could safely describe as novices.

Its most notable graduates this year: Battlescars, his collaboration with the American rapper Lupe Fiasco, became his biggest hit yet and delivered his first invitation to appear on David Letterman's Late Show.

Melbourne's Seth Sentry continued his ascent, as did Lisa Mitchell, who is maturing into a fine songwriter. With Idea of Happiness, Sydney's underrated Van She dropped their best single yet; shame the album of the same name did not progress from there.

Two Australian hip-hop acts had huge years: Melbourne rapper and Adelaide trio Hilltop Hoods both boasted big album and concert ticket sales. Sydney's Urthboy released another very strong, diverse album. Melbourne-via-London band The Temper Trap returned a second self-titled album, and their best single yet, Trembling Hands.

It did not get the sales or attention it deserved. Their album Monument was solid; they still appear to have their best ahead of them, though. Missy Higgins, Australia's most popular female singer-songwriter and maybe our most charmingreturned after a five-year gap between LPs. The cowbell-enhanced single Unashamed Desire was embraced warmly - her fan base returned to her in big numbers.

Brisbane pop twins The Veronicas debuted the single Lolita mid-year. How did it go? Well, plans to release a new album soon after were scrapped. It seems that it's back to the drawing board. Several local acts returned from long absences to fanbases that appeared to have moved on.

Delta Goodrem

Kiwi expat Ladyhawke's album Anxiety was a flop. And the Sydney electronic duo Presets, one of the biggest live acts in the country only a couple of years ago, have found their album Pacifica a surprisingly tough sell. Less of a slog was Perth's psychedelic rockers Tame Impala's Lonerism, which won international acclaim as well as Triple J's Australian album of the year award. Rightly, the band's group of admirers continues to grow.

Just as Weezer announced their first Australian tour sinceJeff The Brotherhood, another American rock band trading on crunchy guitar riffs and catchy lyrics, emerged. The simple, charming two-minute rocker Sixpack was a highlight for rock fans this year. Meanwhile, not only did Natasha Khan's new Bat For Lashes album possess some of the most revealing cover-art of recent times, it boasted one of the best singles of with the plaintive Laura.

For lovers of great pop music, it's an unadulterated pleasure to watch something truly unlikely slowly break through to commercial radio. The success then of Iceland six-piece Of Monsters and Men was something to behold this year. Their outstanding single Little Talks is now, unfathomably, being played on Triple M and has become a worldwide hit. Now a staple of the ARIA charts, it's the little song that could.

Happily the band will tour here early next year. Devon stadium rockers Muse had a strange year. Survival, their official anthem for the London Olympics was considered by most a pompous piece of drivel. Yet a couple of months later they released Madness, their best single for ages. Their sixth album, The 2nd Law, will be a big seller for months to come. Hailing from, yes, Alabama, it was home to one of the most striking singles ofHold On. Am returned to radio late in the year with the inexplicably catchy Scream and Shout.

The song appeared to exist for two reasons: Am to recycle some old Black Eyed Peas beats and to reinsert the "Britney, bitch" line into the pop culture conversation. In November, two of the most-anticipated tours of the year graced our shores: The latter's arena shows were masterful displays of sonic and visual wizardry.

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Still Coldplay's show was more enjoyable. Oasis and Arctic Monkeys sound-alike Jake Bugg also emerged late in the year with swagger to spare on the terrific single Two Fingers. Her petty, obnoxious flipping of the bird on stage with Madonna at the Superbowl was meant to be provocative. It was simply boorish. Instead, her impressive single Bad Girls was her best moment of Jack White comfortably left behind the legacy of the White Stripes behind for his first solo album Blunderbuss.

His fans moved with him. Grunge heroes Soundgarden released a new album called King Animal. Not many people paid attention. In contrast, Britpop legends Blur released two excellent new singles and a lot of people cared.

The Summer Olympics came and went from London. The most notable element for music fans was the outstanding use of pop music in the opening ceremony. Charming American pop wunderkind Bruno Mars also proved he is in for the long-haul: Potty mouthed rapper Azealia Banks whetted our appetites last year with the irresistible single ; this year she captivated all on her first Australian tour.

Her debut album should be massive when it drops next year. While Brisbane singer Emma Louise may be a bit more demure, her superb single Boy was one of the year's truly great pop moments. Her debut album next year is an intriguing prospect. Meanwhile despite the assertions of Modular label boss Steve Pavlovic that would indeed be the time for a second Avalanches album, there is, alas, no sign of the most long-awaited Australian release of all-time. Perhaps will be the year? One act who did return after a long time away was mercurial singer-songwriter Fiona Apple.

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Her comeback album contained another ludicrously long title and some riveting, shockingly candid songs. An exhaustive and exhausting profile in New York magazine was probably the most notable piece of pop music journalism this year. The magazine reported later in the year that Apple cut off her US tour promoting the album due to the illness of her pet pit bull.

In the UK, the soulful pop singer with the booming voice Emeli Sande proved a massive success story. Her single Heaven is, indeed a triumph.

2012: the year in music

Her success there has not yet translated locally. Similarly, Robbie Williams' first new album in three years, Take The Crown, was flagrantly ignored by Australian radio programmers. Pink was almost nonchalant in her efficiency in returning to the fold. Oh yeah, she also sold out an astounding something nights of arena shows. She will tour Australia from May through September next year.