Much Ado About Nothing - Describe how the relationship between Benedick and Beatrice develops Essay 】 from best writers of Artscolumbia. And so we come to Much Ado About Nothing. It's a good title. Nothing; no thing; a “thing” in Elizabethan English is a penis, so “no thing” is a. In Much Ado About Nothing, Shakespeare implies in a fascinating way that be- . Beatrice, as a woman, was fully prepared for a relationship with Benedick.
I have decided to focus on the development of Beatrice and Benedict's relationship. Benedick is a friend of Don Pedro who is a confirmed bachelor, he does not understand why anyone would want to get married. When he and Beatrice meet they have an argumentative relationship and both characters insult one another constantly putting each other down.
Beatrice is the niece of Leonato and cousin of Hero.
Benedick And Beatrice: The Mature, Romantic Relationship Overlooked By Shakespeare Fans | HuffPost
Beatrice doesn't want to get married either. At the beginning of the play Examine the differences between the 'Hero and Claudio' relationship and the relationship between 'Beatrice and Benedick' Essay Essay The comedy is well known for its tragedies, deception, mischief and love stories.
In this piece of coursework I will be examining and comparing the relationship between 'Beatrice and Benedick' and the relationship between 'Hero and Claudio', the two central couples in Shakespeare's play.
During the period when Shakespeare wrote 'Much Ado About Nothing', love and marriage was looked upon in a different way as it is today. One theme that was clear throughout many of his pieces is the theme of love; whether it be obvious or underlying, romantic or lustful. The notion of romantic love is often explored in his sonnets; a typical sonnet is 14 lines in length with a strict rhyme-scheme and also iambic pentameter, it could be suggested that the strict sonnet form is an analogy for unwavering and timeless, true love.
Benedick And Beatrice: The Mature, Romantic Relationship Overlooked By Shakespeare Fans
They will say that she is dead. Everyone leaves the church except Beatrice. She weeps at the altar in shame, rage, and helpless- ness about being a woman. As a man of real honor, Benedick will use his superior place in society to rectify this injustice; and if he truly loves, he will love the whole of her, with no caveats. I do it freely. And, as Nigel likes to point out, he goes first. He says he loves her before he knows for sure how she feels about him.
Even though he thinks Claudio is mistaken, he will not violate the officer honor by fighting his best friend. She cannot challenge Claudio, nor can Beatrice.Much Ado Kill Claudio scene
What Claudio publicly proclaims about Hero will stand, unless a man takes on the voice of the women. He violates the honor between officers, choosing instead to follow his love.
Love is the higher calling. Of course, because it is a comedy, it all gets sorted out in the end, and no one has to die. The young lovers are restored to each other.
- Explore the relationships between Beatrice and Benedick in Much Ado About Nothing
In faith, hath not the world one man but he will wear his cap with suspicion? Shall I never see a bachelor of threescore again? An thou wilt needs thrust thy neck into a yoke, wear the print of it and sigh away Sundays.
Much Ado About Nothing – Describe how the relationship between Benedick and Beatrice develops Essay
I, ii, Here, clearly, Benedick exhibits his detestation of the conventional Elizabethan marriage. For him, being married is synonymous with being a cuckolded husband, since in his opinion all women are cheaters. He substantiates this even further when he tells Don Pedro and Claudio: That a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks; but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pardon me.
Because I will not do them the wrong to mistrust any, I will do myself the right to trust none. And the fine is — for the which I may go the finer — I will live a bachelor. Beatrice as well exhibits herself as a misogamist and disdainful woman in her dialogue with Leonato: Well, niece, I hope to see you one day fitted with a husband.
Not till God make men of some other metal than earth. Would it not grieve a woman to be over- mastered with a piece of valiant dust? To make an account of her life to a clod of wayward marl? II, i, Here, it can be clearly seen that Beatrice as well as Benedick do not only direct their wits at each other but at the conventional image of marriage and love of their times.
Thus, another similarity between the two characters has been established in the play. By positioning themselves as critics of the traditional way of living and loving, they also implicitly mark themselves as wanting real love — if any at all. Hence, within the first two acts, a mutual interest between Beatrice and Benedick, as well as an equal witty characteristic and a shared hidden wish for true love as opposed to conventional love have been established in the play, preparing them for their fate of falling in true love with each other later in the story.
Whereas Hero and Claudio are torn apart when they are misled, Beatrice and Benedick are drawn together through the tricks played by their friends. Knowing both good and bad, love leads to trust. Infatuation, as Scheff states, is thus much more vulnerable to outside influences than love In the case of Hero and Claudio, it is obvious that since there has not been any direct communication between the two in the whole play, their relationship does not rely on knowledge of the other but on mere liking of the outer appearances and on an idealisation of the beloved.
Thus, through little influence from their environment, these two infatuated characters are easily torn apart. In contrast, Beatrice and Benedick are brought together by the plot hatched by their friends and family. This, in my opinion, is due to the fact that in their relationship it is not the affection for each other that is vulnerable to outside influences but their bad wits.
Wittiness … can have positive meaning as well as negative. If, on the one hand, it can be used as a tool of practical reason in the service of emotional repression, distrust, and pride, it can also express a light-hearted playfulness, a love of life, that undermines the vices of proud reason and brings man into communion with his fellows.
When the couple is tricked, their friends strongly emphasise their bad wits, most of all their pride, in order to make them love the other. This can be seen very well when Benedick eavesdrops on his friends Don Pedro and Claudio talking about the invented fact that Beatrice told them she was in love with Benedick.
It were good that Benedick knew of it by some other, if she will not discover it. He would make but a sport of it and torment the poor lady worse. An he should, it were an alms to hang him. And she is exceeding wise. In everything but in loving Benedick. II, iii, Here, the friends clearly want Benedick to realise how proud he is and how his bad wit makes him look in the eyes of others. Why, it must be requited.
I hear how I am censured: They say too that she will rather die than give any sign of affection. I did never think to marry. I must not seem proud; happy are they that hear their detractions and can put them to mending. O god of love! I know he [Benedick] doth deserve as much as may be yielded to a man.
Disdain and Scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly that to her all matter else seems weak.