Much Ado About Nothing (Theatre) - TV Tropes
English essay, Much Ado About Nothing In this play, Shakespeare pairs of Hero to this section to get all the help you need with your essay and educational goals. I will also look at why Beatrice and Benedick have a relationship and why. Claudio and Hero's Relationship in Shakespeare's Much Ado About Nothing. Words 3 Pages. Claudio and Hero are the idealised Elizabethan couple in the. One of Shakespeare's best known comedies, Much Ado About Nothing, is a play that is Don John initially aims to stomp out the relationship before it begins by.
Played for laughs, in that Leonato says that his wife has told him that Hero is his daughter. One reason Benedick cites for his change of mind is that the world must be peopled. He manipulates Don John into paying him huge amounts of money to cause mischief, he convinces Margaret to pretend to be Hero whilst he seduces her, he convinces Claudio and Don Pedro that he has seduced Hero and at the end of the play he convinces Don Pedro that it was all Don John's fault and that Claudio is as much to blame for Hero's apparent suicide.
And he seems to get away with it all too. In which Don Pedro pretends to be Claudio and courts Hero. Don Pedro just loves getting other couples together, whether it's courting Hero for the too-shy Claudio, or tricking Benedick and Beatrice into admitting their feelings for each other. The memorial service of sorts given by Claudio and Don Pedro. Minion with an F in Evil: Don John is merely spiteful and petty, content to cause minor trouble now that he's been defeated.
He's also rather stupid, and his minion Borachio comes up with all the evil plots, and fleeces his boss while he's at it. But in the end, he's the one who expresses remorse and confesses, while John flees for freedom.
Claudio thinks Hero is cheating, thanks to Don John's plots. Goes from zany romantic comedy to drama in a matter of seconds when Claudio jilts Hero at the altar, and then bounces about from sweet romance Beatrice and Benedick to comedy Dogberry's interrogations to tragedy Claudio mourning what he thinks is Hero's death until everything is finally resolved. My Girl Is Not a Slut: Beatrice and Benedick are the only ones who don't believe the incredibly flimsy accusations against Hero.
This is ironic in Benedick's case, at the beginning of the play he was a self-professed He-Man Woman Hater. Also, Friar Francis only appears briefly, but when he's on stage he's the most reasonable person there. In some productions Don Pedro will pair off with either Margaret or another female extra, right after Benedick tells him, "Get thee a wife. Borachio may have come up with the plan that framed Hero, but he vehemently defends his Unwitting Pawn lover Margaret when Don Pedro asks if she was aware of the plot.
Naturally, the villainous Don John convinces Claudio that the Prince has actually fallen in love with, and become engaged to, Hero.
In fact, since the Prince gives this reassurance in Hero's presence, it's likely that she knew all along that a she was really talking to the Prince, and b he was pretending to be Claudio as a favour. It's mentioned in Act I that Antonio has a son, yet in 5.
It's debated whether it's a legit mistake by Shakespeare or an intended mistake for Leonato. Dogberry and his crew are useless, but purely by accident they manage to save the day. The whole debacle at the wedding, and a lot of heartache, could have been averted if Leonato had actually taken some time to listen to Dogberry's and Verges' report of the arrest of Borachio and Conrad.
Believe it or not, among the many possible meanings of the word "nothing" in Shakespeare's day, the word was sometimes a reference to female genitalia. Making this seemingly harmless title possibly an, erm, quite colorful one, to say the least. It is also important to note that, according to the script, the audience never sees the pivot point in the play: It happens right in the middle and everything else grows from it, but it is not actually shown.
So the play literally revolves around nothing. Basically, the title contains a Hurricane of Puns in one word. Claudio and Don Pedro get a ton of these, not without reason.
First Beatrice calls them out in absentia, then Benedick calls Claudio out in person, then Leonato and Antonio call them out, then they call them out again when the truth of the matter is revealed.
Don Pedro thinks Benedick and Beatrice would make a great couple, and sets out to make it happen. The major conflict comes from Don John's attempt to wreck Claudio and Hero's relationship. Partly to embarrass his Shipper on Deck brother, but mostly For the Evulz.
I will stop your mouth. Invoked by Beatrice for the other couple even earlier in a bit of foreshadowing: Speak, cousin, or if you cannot, stop his mouth with a kiss and let him not speak neither. Claudio goes off on Hero, essentially calling her a whore in the middle of their wedding. Despite the comic ineptness of the Watch headed by constable Dogberrya master of malapropismsthey have overheard the duo discussing their evil plans.
The Watch arrest the villains and eventually obtain a confession, informing Leonato of Hero's innocence. Though Don John has fled the city, a force is sent to capture him.
Claudio, stricken with remorse at Hero's supposed death, agrees to her father's demand that he marry Antonio's daughter, "almost the copy of my child that's dead"  and carry on the family name. At the wedding, the bride is revealed to be Hero, still living.
Beatrice and Benedick, prompted by their friends' interference, finally and publicly confess their love for each other. As the play draws to a close, a messenger arrives with news of Don John's capture — but Benedick proposes to postpone his punishment to another day so that the couples can enjoy their new-found happiness.
Don Pedro is lonely because he hasn't found love. Thus Benedick gives him the advice "Get thee a wife. The earliest printed text states that Much Ado About Nothing was "sundry times publicly acted" prior to and it is likely that the play made its debut in the autumn or winter of — The play was published in quarto in by the stationers Andrew Wise and William Aspley. This was the only edition prior to the First Folio in Analysis and criticism[ edit ] Style[ edit ] The play is one of the few in the Shakespeare canon where the majority of the text is written in prose.
Sicily was ruled by Aragon at the time the play was set. Act II, Scene v: Benedick and Beatrice quickly became the main interest of the play, to the point where they are today considered the leading roles, even though their relationship is given equal or lesser weight in the script than Claudio and Hero's situation.
While this was reflected and emphasized in certain plays of the period, it was also challenged. It seems that comic drama could be a means of calming such anxieties. Ironically, we can see through the play's popularity that this only increased people's interest in such behavior. Benedick wittily gives voice to male anxieties about women's "sharp tongues and proneness to sexual lightness".
This stereotype is turned on its head in Balthazar's song "Sigh No More," which presents men as the deceitful and inconstant sex that women must suffer.
Infidelity[ edit ] A theme in Shakespeare is cuckoldry or the infidelity of a wife. Several of the characters seem to be obsessed by the idea that a man has no way to know if his wife is faithful and therefore women can take full advantage of that fact.
Much Ado About Nothing - Wikipedia
Don John plays upon Claudio's pride and fear of cuckoldry, which leads to the disastrous first wedding. Many of the males easily believe that Hero is impure and even her father readily condemns her with very little proof. This motif runs through the play, often in references to horns, a symbol of cuckoldry.
In contrast, Balthasar's song " Sigh No More " tells women to accept men's infidelity and continue to live joyfully. Some interpretations say that Balthasar sings poorly, undercutting the message.
This is supported by Benedick's cynical comments about the song, where he compares it to a howling dog. However, in the Branagh film Balthasar sings beautifully, the song is also given a prominent role in both the opening and finale and the message appears to be embraced by the women in the film.
The games and tricks played on people often have the best intentions—to make people fall in love, to help someone get what they want, or to lead someone to realize their mistake.
This may be because she sees herself lower down than men in society so feels to portray her acceptance of this; she has to not be heard in front of men. Despite their differences, they still get on very well. Benedick is a very clever, strong character, who is very independent but can be easily tricked. Benedick engages with Beatrice in a competition to outwit and outsmart one another by insulting each other.
His friends and other people see deeper than just the insults as they think both Benedick and Beatrice like each other. This is where we find out Benedick has fallen in love and he suddenly realises everyone about her he now loves.
Claudio on the other hand is very different. He is a young, brave man but he is also very immature.
He falls in love with Hero the first time he sees her as soon as he returns back from war. Claudio is too immature at first to know what love really is as he bases his love on looks, ignorance and wealth. He has to make sure his bride is rich before he marries her, which makes us wonder whether at this point, he really was in love. This then shows how immature and young he is and that he is not actually ready to be in love. Claudio and Hero are both very young and innocent.
Claudio and Hero are a prime example of the Elizabethan norm in marriage. Claudio is seen to be the shrewd, hard headed fortune hunter whereas Hero is the modest maiden of conduct books and marriage manuals and willingly and gladly submits to marriage. Claudio is more concerned with advancement in army than he is in love.