5 Reasons Why the End of Kate and Leopold Is in Fact Pretty Depressing | HubPages
Timelines of Kate and Leopold examined and unraveled. But the story has not yet ended. Kate Stuart is injured, and so prevented from interfering with the relationship developing between Kate and Leopold, because the elevator in their . Early in the time-travel romance Kate & Leopold, in a scene removed The relationship between Jackman and Breckin Meyer, Ryan's brother in one of its few compelling scenes, Kate & Leopold doesn't end with a gooey. Kate and Leopold holds a special place in my heart. It's a unique love story that's well written, with a great cast of actors right down to the.
Stuart, the unemployed scientist and ex-boyfriend of Kate McKay, has discovered that the only way to travel through time is by jumping off a really high point to achieve the velocity needed to break the time barrier. When the camera shows us the girder again, we see that Kate has in deed made the leap. The officer is quick to act and begins advising the rest of NYPD that there has been a jumper. There is still an NYPD officer calling for dive teams, patrol boats, and other backup to try to find the crazy lady who apparently took a dive.
Now, Charlie is an aspiring actor and a quick thinker, as we see earlier in the film. Before any of the back up arrives, he and Stuart can work out a quick scenario that actually has them trying to talk his suicidal sister down. However, by that time there would have been a media circus all over the Brooklyn Bridge.
Because news stations monitor police scanners, and a pretty white lady leaving a once in a lifetime job offer behind to go jumping off a bridge tends to be newsworthy in New York.Kate & Leopold (8/12) Movie CLIP - Who Are You? (2001) HD
This brings me to the second loose plot thread. Gretchen's Gonna Get Fiiiiiiired. He also has a digital camera full of photos he took while he was walking through 19th century New York, which would undoubtedly prove that he had in fact traveled through time.
While there, Stuart charms the panties off of Gretchen, the psychiatric nurse, with an epic movie speech. Moved by his way with words and the fact that Live Scriber looks good in a hospital Johnny, we then see Stuart bolting from the hospital campus a short time later.
We can only assume Gretchen got a little bit of sex out of the deal as her assistance was off camera. So, Stuart gets his pictures developed. He discovers Kate in said pictures and realizes she is supposed to go back in time to marry Leopold. And we know the story from there.
Happy ending, Sting sings, movie over. Yes as a patient. No, not for the reasons you might think. The point is there are rules.
If you do wind up getting brought into a mental hospital, or a psych ward, and you are coherent enough to communicate with the doctors, you will be given the option of voluntarily committing yourself. They then have a set amount of time to prove that you are a danger to yourself before they have to let you go.
The law is different everywhere, but the max amount of time to hold a voluntary patient is up to ten days.
5 Reasons Why the End of Kate and Leopold Is in Fact Pretty Depressing
Depends on where you are. From what we see in the movie however, it is safe to assume that Stuart is not a voluntary patient and that either way the doctor has reason to believe he is a danger to himself.
He then has to be sedated by the night nurse for making a racket after said incident. And Gretchen, the nurse we can safely assume helped Stuart escape, was none of these things.
So, not only is a potentially dangerous and psychotic patient now loose on Manhattan, Gretchen is clearly the one responsible.
Instead, the surname, Mountbatten, was only adopted on 14 July by a branch of the non-royal Battenberg family then living in Britain in lieu of the family's original German House or dynastic name of [von] Battenberg. By that point in the war, the unpopularity of all things German throughout the British Empire was such that both the reigning British Royal House of Saxe-Coburg and Gotha itself a branch of the German Wettin dynastyand the quasi-royal, House of Battenberg a morganatic branch of the Grand Ducal House of Hesse and By Rhinewere thought to be endangered by their close historical family associations with the country of Britain's bitterest foe.
They were convinced by their advisors to exchange their German dynastic or House names for English House and Family names surnames suggested to them by the College of Arms. Bythe British Cabinet and the King's private secretary thought that these name changes would identify their holders more clearly with Britain and her empire rather than their war enemy, thereby making them more palatable to the British public, staving off the danger that they would become the target of the public's ire, and thus safeguarding the survival the British Monarchy in what proved to be tumultuous times for European royalty.
'Kate & Leopold - The Director's Cut': Alas, Time Is Not on Their Side - PopMatters
Besides these liberties the film takes with dynastic history, there are several other obvious differences between the two Leopolds. The real life Prince Leopold lived from todying when still only thirty, whereas the movie Leopold was rather older, being born no later thanbecause he was already thirty when his uncle induced him to settle in New York City and look for a rich American bride sometime before April Opposed to this scenario is the fact that the historical Leopold never went to New York City.
Instead, he stayed in Britain where, through arrangements made by his royal mother, he married a German princess, and sired two children, including a posthumous son, through whom he is a great-grandfather of King Carl XVI Gustaf of Swedenthat country's current monarch. While the historical Leopold was a patron of the arts, and noted by Alfred, Lord Tennysonfor his high aims and thoughtful intelligence, he was not an inventor. In the film, however, Leopold has many inventive dreams. Indeed, when he catches Stuart in his rooms, the latter is photographing Leopold's notebooks containing his brilliant ideas.
The plot turns on the fact that Leopold must return to the 19th century to patent the elevator, marry, and become Stuart's great-grandfather. Leopold names the elevator company after his valet Otis; however, the real Elisha Otiswho created the "safety elevator" and in founded the Otis Elevator Companyhad quite a different personal history.
The film contains a number of anachronisms: Leopold and Stuart see each other at John A. Roebling 's speech at the Brooklyn Bridgebut the famous engineer actually died inseven years before their meeting, and the bridge did not actually open untilseven years later.