🔎 Mother Daughter Symbols | Study Guides and Book Summaries
was also a veritable encyclopedia of solid relationship/dating advice. My mother started the Joy Luck Club having met all these women in church: Pair 1: Waverly & Auntie Lindo Lindo: It's Rich you afraid I not like. An example of one mother/daughter relationship in the Joy Luck Club, is that of Lindo and Waverly Jong. One of the main themes highlighted in the relationship. These relationships manifest in comparing Amy Tan's The Joy Luck Club and Alice Lindo Jong and Waverly Jong's relationships with their mothers exemplify filial . counseling to the next generation also appears in Lindo and Waverly's.
For example, when she goes out to lunch with Waverly. However, there are some aspects of Western culture, which Lindo does appreciate."The Joy Luck Club": Tamlyn Tomita on Her Most Emotional Scene
The idea of seeking a balanced harmonious life can be particularly applied to the relationship of Lindo and Waverly Jong. Mainly due to their lack of communication, their relationship began to fall into a state of disharmony. It led Waverly to create a false, overpowering interpretation of Lindo.
This unharmonious relationship was greatly highlighted when Waverly gave up chess. Lindo and Waverly began to develop an unusual relationship based on inferior and superiority. A great amount of disharmony is experienced when Waverly first confronts her mother.
They are neither simply Chinese nor American, but both a mixture of the two cultures.
By realising their similarities, Lindo and Waverly are able to place their differences aside and thus regain harmony in their relationship. This use of symbolism can be greatly seen through the relationship of Lindo and Waverly Jong.
Mother-Daughter Relationships in The Joy Luck Club by Victoria Kwong on Prezi
Lindo manages to teach Waverly aspects of Chinese Culture through symbolism of every day life, for example, the sugarplum incident. A close relationship can be seen between the game of chess and the relationship of Lindo and Waverly.
This implies the basic characteristic of a hybrid person: But Waverly finally starts to be proud of her Chinese origins and feels the urge to go back to China if only for a couple of days, and thus we can assume that Waverly is, instead, Chinese deep inside and American as to her appearance clothing, manners and speaking. Similarly, in this story Lindo too acknowledges her hybridity and heterotopic experience.
At the same time, due to her new American face, if she went back to China, she would feel the same: Thus she is constantly living in an environment that is both familiar and other, and there is no escape from this heterotopia. Because of her split Chinese- American identity she would perceive both China and America as heterotopias.
In this story, she finally comes to terms with her American self too. I use my American face.
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Thus in this story both of them arrive at a stage in which they can freely change between their Chinese and American selves, and they no longer feel annoyed by this split, hybrid experience. What is more, the way Lindo met her future Chinese husband was also a hybrid experience: And I wanted you to think, this is where I belong. These different selves of their hybrid personalities become metaphorically united in the mirror scene when they are staring at each other, spotting the differences, but finally highlighting the similarities instead.
This becomes clear when they observe their nose. Both of them see the similarity, but while Lindo feels that it is a pity for her daughter to have inherited such a crooked nose, Waverly protests and sees this connection as something positive: In the mirror, I see myself there where I am not, in an unreal, virtual space that opens up behind the surface; I am over there, there where I am not, a sort of shadow that gives my own visibility to myself, that enables me to see myself there where I am absent.
This passage can be used to understand the relationship between Lindo and Waverly and the relevance of the mirror scene in their final acknowledgement of the values of their hybrid Chinese-American existence.
For Lindo, the mirror image is the daughter, whereas for Waverly the mirror image is the mother. Yet the image and the body, the other and the self cannot exist without each other: It is the mirror image that gives visibility to and understanding of the identity of the self.