10 Things You Might Not Know About Dorothy Parker | Mental Floss
Dorothy Parker and best friend (and fellow Round Tabler) Robert Benchley in Dorothy Parker Story Writer, Book Writer, Algonquin Round Table, John Lee. As a founding member of the Algonquin Round Table—a circle of writers that also included Harpo Marx and Robert Benchley—Dorothy Parker was renowned . Robert Charles Benchley (September 15, – November 21, ) was an American .. Initially consisting of Benchley, Dorothy Parker, and Alexander Woollcott during their time at Vanity Fair, the analogies between a football game and patriotism, or chewing gum and diplomacy and economic relations with Mexico.
When the action flashes back to the roaring 20s, the screen blossoms into full colour — complete with a fantastically distinguished cast of actors playing a fantastically distinguished cast of characters. Prohibition is coming into effect, but this lot couldn't care.
“He and I had an office so tiny, that an inch smaller and it would have been adultery.”
Her most significant relationship, though, is a profound but unconsummated love for fellow writer Robert Benchley Campbell Scottwho is married to a solid woman named Gertrude. The film picks up precisely the tone of Parker's attitude to Benchley's marriage from her short story Such a Pretty Little Picture, published in The story is about a man deeply unhappy in his marriage to a virtuous but dull woman, who has, since the conception of their first child, insisted on calling him Daddy.
The movie is just about as kind to poor old Gertrude as that.Love Conquers All- Full AudioBook - English - Unabridged - Humorous Fiction
Film geeks and literary geeks alike may be tickled to know that Robert and Gertrude Benchley's real-life grandson Peter plays the editor of Vanity Fair in the film — though he was better known for writing Jaws. Given that Benchley had two children at the time of his resignation, Parker referred to it as "the greatest act of friendship I'd ever seen.
Mrs Parker and the Vicious Circle: does it get under Dorothy's skin?
According to legend, he submitted a magazine piece titled "I Like to Loaf" two weeks after deadline. A theatrical production by the members of the Round Table was put together in response to a challenge from actor J.
Kerriganwho was tired of the Table's complaints about the ongoing theatre season. The revue was applauded by both spectators and fellow actors, with Benchley's performance receiving the biggest laughs.
While the session did not yield significant results, Benchley did get writing credit for producing the title cards on the Raymond Griffith silent film You'd Be Surprised released Septemberand was invited to do some titling for two other films.
Robert Benchley - Wikipedia
This experience was not as positive, and most of Benchley's contributions were excised and the final product, Funny Facedid not have Benchley's name attached. Worn down, Benchley moved to his next commitment, an attempt at a talkie version of "The Treasurer's Report". The filming went by quickly, and though he was convinced he was not good, The Treasurer's Report was a financial and critical success upon its release in Benchley participated in two more films that year: The films enjoyed similar success and were critically acclaimed, and Benchley was signed to a deal to produce more films before heading back to New York to continue writing.
As Life would say following his eventual resignation in"Mr. Benchley has left Dramatic Criticism for the Talking Movies". While Benchley, along with many of his Algonquin acquaintances, was wary of getting involved with another publication for various reasons, he completed some freelance work for The New Yorker over the first few years, and was later invited to be newspaper critic.
Benchley initially wrote the column under the pseudonym Guy Fawkes the lead conspirator in the English Gunpowder Plotand the column was well received. Benchley tackled issues ranging from careless reporting to European fascism,  and the publication flourished. He was invited to be theatre critic for The New Yorker inleaving Life, and contributions from Woollcott and Parker became regular features in the magazine.
The New Yorker published an average of forty-eight Benchley columns per year during the early s. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him even if the relative success of The Sport Parade was often credited to Benchley's rolebut the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker. His arrival put him on the scene of a number of productions almost instantly.
While Benchley was more interested in writing than acting, one of his more important roles as an actor was as a salesman in Rafter Romanceand his work attracted the interest of MGMwho offered Benchley a lot of money to complete a series of short films.
Benchley, who had also been offered a syndicated column by Hearstwas able to film the shorts in New York and keep up with his new column. Benchley demonstrating How to Sleep.
The short film became his best-known work, and earned him an Academy Award. Upon completion, MGM invited Benchley to write and perform in a short production inspired by a Mellon Institute study on sleep commissioned by the Simmons Mattress Company.
- 10 Things You Might Not Know About Dorothy Parker
- Robert Benchley
The resulting film, How to Sleepwas filmed in two days, and featured Benchley as both the narrator and sleeper, the latter a role Benchley claimed was "not much of a strain, as [he] was in bed most of the time.
The only group not pleased was the Mellon Institute, who did not approve of the studio mocking their study.
How to Sleep was named Best Short Subject at the Academy Awardswhile the latter two shorts were not as well received. These films were produced more quickly than his previous efforts while How to Sleep needed two days, the later short How to Vote needed less than twelve hoursand took their toll on Benchley.
He still completed two shoots in one day one of which was The Courtship of the Newtbut rested for a while following the schedule. The radio program, Melody and Madnesswas more a showcase for Benchley's acting, as he did not participate in writing it.
It was not well received, and was removed from the schedule. Besides the cancellation of his radio show, Benchley learned that MGM did not plan to renew his contract, and The New Yorker, frustrated with Benchley's film career taking precedence over his theatre column, appointed Wolcott Gibbs to take over in his stead. Most of them were adapted from his old essays "Take the Witness!
Mrs Parker and the Vicious Circle - does it get under Dorothy's skin? | Film | The Guardian
In Benchley appeared in Alfred Hitchcock 's Foreign Correspondent for which he is also credited as one of the dialogue writers. In Benchley received two more feature-length roles: Benchley was cast in minor roles for various romantic comediessome shoots going better than others. Paramount did not renew his contract inand Benchley signed back with MGM with an exclusive contract.
The situation was not positive for Benchley, as the studio "mishandled" him and kept Benchley too busy to complete his own work. His contract concluded with only four short films completed and no chance of signing another contract.
Following the printing of two books of his old New Yorker columns, Benchley gave up writing for good insigning one more contract with Paramount in December of that year. By he was taking thankless roles in the studio's least distinguished films, like the rustic musical National Barn Dance. By this time Robert Benchley's screen image was established as a comic lecturer who tried but failed to clarify any given topic. In this capacity Paramount cast him in the Bob Hope - Bing Crosby comedy Road to Utopia ; Benchley interrupts the action periodically to "explain" the nonsensical storyline.
Death[ edit ] Benchley's drinking, already a problem, worsened and he was diagnosed with cirrhosis of the liver. When she needed to recapture them she would shake a handkerchief until the wild mice would emerge to fight the imagined foe and promptly be scooped up and caged. When her brother Bertram went off to boarding school he left a pair of long-eared pet bats behind.
The animals proved difficult to care for so Potter set one free, but the other, a rarer specimen, she dispatched with chloroform then set about stuffing for her collection. Potter self-published the Tale of Peter Rabbit infunding the print run of herself after being turned down by several commercial publishers.
By the end of its first year in print, it was in so much demand it had to be reprinted six times. In Potter, recognizing the merchandising opportunities offered by her success, made her own Peter Rabbit doll, which she registered at the Patent Office. A Peter Rabbit board game and wallpaper were also produced in her lifetime.
Potter was fascinated by nature and was constantly recording the world around her in her drawings. She sometimes wrote in secret code. Between and Potter kept a journal in which she jotted down her private thoughts in a secret code.
This code was so fiendishly difficult it was not cracked and translated until She disappointed her mom.