Cassatt and degas relationship

Mary Cassatt - Wikipedia

cassatt and degas relationship

Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City. Degas/Cassatt,” at the National Gallery of Art in Washington, looks anew at a relationship between two painters. The American expatriate painter Mary Cassatt and the French artist Edgar Degas formed a long, if tumultuous, artistic relationship and.

Some of her incentive came from the collaborative project involving Degas, Cassatt, Pissarro, and others to produce a journal of their prints.

Impressionists With Benefits? The Painting Partnership Of Degas And Cassatt : NPR

Given the closeness and duration of their relationship, Degas and Cassatt seemed remarkably reticent about it. Repeated attempts to discover some underlying romantic or even sexual relationship have proved unsuccessful, and there is little doubt that it was mainly professional, with a varying element of friendship between two very private, forthright, and deeply self-driven artists.

Mary Cassatt —Self-Portrait cgouache and watercolor over graphite on paper, Neither artist was enamoured with self-portraiture: She never appears to have painted any portrait of Degas, although her mentor painted his self-portrait on several occasions, and appears happy for others to have painted or photographed him.

cassatt and degas relationship

Mary Cassatt —The Loge coil on canvas, Mary Cassatt —The Cup of Tea c —81oil on canvas, Although Cassatt remained first and foremost a figurative painter, her flower study of Lilacs in a Window c —83 is an exception. This shows a vase freshly filled with cut flowers from the greenhouse, on a shelf by the open window.

Her brushwork is here at its richest and most varied, from the linear marks on the shelf and window frame, to the staccato dabs of the flowers themselves.

Mary Cassatt

Mary Cassatt —Children Playing on the Beachoil on canvas, Collection of Ann and Gordon Getty "He helped her switch from the academic style of painting that she had been trying to learn — which was sort of the standard across Paris — and encouraged her along into the impressionist style, the impressionist brush stroke, the use of color and light. The subject matter changed. They called themselves "independents" and labored over their work.

cassatt and degas relationship

A year after meeting Degas, Cassatt made a painting that was a real break in her style. Little Girl in a Blue Armchair is full of Degas' influence.

Impressionists With Benefits? The Painting Partnership Of Degas And Cassatt

First of all, he brought the girl to Cassatt — she was the child of his friends. In a pretty dress, she sits slumped in a chair, hand behind her head and legs spread apart. She looks bored, exhausted and not at all dainty or proper. Other big blue chairs and a sofa are in the room — "like bumper cars," Jones says.

cassatt and degas relationship

A window in the corner may show Degas' direct influence. In a letter written long after she made the work, Cassatt told her dealer that Degas came into her studio and worked on the painting with her. Looking for evidence, National Gallery conservator Ann Hoenigswald used X-rays, infrared imaging and magnification to study a diagonal — unusual in a Cassatt background — that builds across the canvas from that rear corner window.

cassatt and degas relationship

They were these sharp, small, quick strokes that we weren't seeing anywhere else," Hoenigswald says. Degas frequently painted and sketched Cassatt.

Degas and Cassatt: The Untold Story of Their Artistic Friendship -ARTnews

Above, he captures her at the Louvre, in Cassatt's influence on Degas can be seen in a painting with an unusual mixture of media — pastels, oils and metallic paint. Cassatt was the first to use metallic paint on canvas; ordinarily it was for decorating crafts. Jones believes Degas saw Cassatt's metallics and decided to try it himself.